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About the Work

Radclyffe Hall was the first woman to be openly gay and dress as a man. She called herself a congenital invert, a pre-Freudian term. She had many lovers, often the wives of establishment figures. That meant she was particularly reviled and made fun of, even to the extent of a spoof version of her novel The Well of Loneliness being published when the original was banned.

Here is Radclyffe Hall hearing out the complaints of the husband of her latest conquest.


The women I portrayed in this work were role models for my mother, Muriel. Together they make up her personality and like her they had charisma and chutzpah.
Muriel, a war-widow's daughter, left school at 12 to bring some money into her poverty-stricken family. Hardly able to read and write, she sold programmes and did odd jobs at the Theatre Royal, Nottingham. When she was 14 she was talent-spotted. Beginning as a hoofer in a chorus line, she became a lead dancer and singer with the stage-name Muriel Melford in a long-forgotten musical at the Prince of Wales called Bonjour Paris.
When she was in that show she met her future husband, my father. He was an Oxford-educated schoolmaster over twice her age. He introduced her to a middle-class world of unfamiliar concepts such as politics, ethics and causes. Muriel took notice. Married and back in the Midlands she spoke up about what were embarrassing issues in the provincial England of the 1940s and 50s - pacifism, the abolition of the death penalty and the sexual liberation of women.

″I still use the same approach to my work: I get an idea, think of the title and then make the work. So not much has changed since 1964″

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