| 2011 | Colin Gleadell. The Daily Telegraph 3 May ‘Market News' |
|---|---|
| 2011 | Megan Piper, The Spectator. Night and Day Blog. May. 'A Gallery for Riper Artists.' |
| 2011 | Hackney Gazette , 5 May. 'Artist captures the moment his life was saved in war.' |
| 2009 | Helen Sumpter, Time Out London, 12 -18 February 'In the Studio - Vaughan Grylls' |
| 2009 | Saddeya Shamsuddin, Islington Now, 18 March 'O Mother, where art thou?' |
| 2007 | Sarah Andress, Art on Paper, New York (January/February) |
| 1995 | Marianne Meijer The Natal Mercury, Durban, South Africa. (19 April and 26 April) |
| 1995 | Dan Cook The Sunday Tribune South Africa. (30 April) |
| 1995 | Suzanne Bell The Daily News South Africa (4 May) |
| 1994 | The Daily News, South Africa (14 February) |
| 1993 | Derby Evening News (September) |
| 1988 | Philip Core The Independent London(16 December) |
| 1987 | The Transcript North Massachusetts (10 March) |
| 1987 | Michael Couture The Enterprise Boston Massachusetts (15 April) |
| 1987 | Sandra Ducey The Advocate Williamstown Massachusetts (June/July) |
| 1986 | The Transcript North Adams Massachusetts (29 May) |
| 1986 | Charles Donenti The Berkshire Eagle Pittsfield Massachusetts (5 June) |
| 1986 | Rosemary Jette The Transcript North Adams Massachusetts (13 June) |
| 1986 | Ken Johnson Times Union Albany New York (24 June) |
| 1986 | Peter MacGillivary The Transcript North Adams Massachusetts (5 August) |
| 1985 | Lisbet Nelson New England Monthly Haydenville, Massachusetts (June) |
| 1985 | Jacob Stockinger The Capital times Madison Wisconsin (28 September) |
| 1985 | Carmen Eisner Wisconsin State Journal Madison Wisconsin (19 October) |
| 1985 | James Auer The Milwaukee Journal (3 November) |
| 1985 | Rob Wittig Isthmus Madison Wisconsin (15-21 November) |
| 1985 | Robert Silberman Art in America New York City (March) |
| 1984 | Adrian Woodhouse The Sunday Telegraph Colour Magazine London (12 February) |
| 1984 | City Limits London p.71 (30 March - 5April) |
| 1984 | Ian Walker Creative Camera London (February) |
| 1984 | Michael Young The Times London (24 March) |
| 1984 | Tim Imrie The British Journal of Photography London (9 March) |
| 1984 | Brandon Taylor Aspects Newcastle-upon-Tyne (Spring) (Art Against Conflict: the Photocollages of Vaughan Grylls) |
| 1984 | Vaughan Grylls Arte Factum 3 Antwerp (Vaughan Grylls' Images of the British Museum) |
| 1983 | Edward Phelps, Arts Review London (4 February) |
| 1983 | William Feaver, The Observer London (6 February) |
| 1983 | Edward Phelps, The Bath and West Evening Chronicle (26 January) |
| 1983 | James Belsey, Bristol Evening Post (27 January) |
| 1983 | Martin Holman, Art Scribe London no 40 (April) |
| 1983 | Irene McManus The Guardian Manchester (4 August) |
| 1983 | Marina Vaizey The Sunday Times London (7 August) |
| 1983 | Peggy Spiers Nottingham Evening Post (26 August) |
| 1981 | Waldemar Januscek, The Guardian London (January) |
| 1981 | William Feaver, The Observer London (January) |
| 1981 | Richard Cork, The Standard London (22 January) |
| 1977 | Jean-luc Duval, 'Le Comportement et la Performance' Art Aktuel, Skira Annuel Geneva |
| 1977 | Jasia Reichardt, 'Nouvelles Strategies' Art Aktuel, Skira Annuel Geneva |
| 1975 | Rosetta Brooks, 'John Latham' Studio International London Vol 198 no 974 (January/February) |
| 1975 | Pierre Rouve 'To see, to think...' Arts Review London Vol XXVII no 3 (7 February) |
| 1975 | Caroline Tisdall, The Guardian London (25 March) |
| 1975 | Catherine Lampert 'Rita Donagh' Studio International London Vol 189 no 974 ((May/June) |
| 1974 | John A Walker, 'Drug Abuse in Maine at The Gallery' Studio International London Vol 187 no 956 (April) |
| 1974 | John A Walker, 'Contemporary Art, Flash Art Milan, nos 48/49 (October/November) |
| 1974 | Caroline Tisdall, 'John Latham' The Guardian London (5 December) |
| 1970 | Myfanwy Kitchin, The Guardian London (27 February) |
| 1970 | CMarina Vaizey, The Financial Times London (October) |
| 1970 | Peter Fuller, Arts Review London (October) |
| 1970 | Caroline Tisdall, The Guardian London (8 February) |
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″I still use the same approach to my work: I get an idea, think of the title and then make the work. So not much has changed since 1964″
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