Education
| 1995 | Fellow - Royal Society of Arts, Manufacturing and Commerce. |
|---|---|
| 1968-70 | The Slade School of Fine Art, University College London |
| 1967-68 | Goldsmiths' College, University of London |
| 1964-67 | Wolverhampton College of Art |
| 1963-64 | Nottingham College of Art |
Career History
| 2005 | Founding Chief Executive, University College for the Creative Arts at Canterbury, Epsom, Farnham, Maidstone, Rochester. Retired from employment in education 2005 |
|---|---|
| 1996-05 | Director & Chief Executive, Kent Institute of Art & Design. |
| 1989-96 | University of Wolverhampton. Professor of Art & Design and Dean of the School of Art & Design. |
| 1984-89 | Williams College Massachusetts, USA. Professor of Photography and Video |
| 1974-84 | Roehampton Institute, London. Postgraduate Course Leader in Art Education. |
| 1971-73 | Homerton College, Cambridge. Lecturer in Sculpture. |
| 1970-71 | University of Reading. Part-time lecturer in Fine Art |
External Committee Memberships and Trusteeships
| 2006- | Lay Member, Rochester Cathedral Chapter |
|---|---|
| 2002- | Founding Chair, United Kingdom Arts & Design Institutions Association(UKADIA) |
| 2002 | Member, Kent & Medway Economic Board |
| 2001-05 | Policy Group member, Consortium of Arts & Design Institutions of Southern England(CADISE) |
| 2001-05 | Chair, Higher Education Kent & Medway (HEKAM) |
| 2000-05 | Board of Directors, Higher Education and Research Opportunities (HERO) |
| 1999-09 | Member, Rochester Cathedral Council |
| 1998-09 | Member, Rochester Cathedral Fabric Advisory Committee |
| 1997-99 | Executive Committee Member, CHEAD |
| 1997-05 | Management Committee of the Standing Conference of Principals (SCOP) |
| 1992-98 | Slade Committee, University College London |
| 1992-96 | Trustee, Lichfield Cathedral Educational Trust |
| 1989-92 | Photography Panel, CNAA |
Industry
| 1975-81 | Chairman, River Scientific Ltd, Nottingham. (Family company, manufacturing and supplying laboratory apparatus and chemicals) |
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Sections
″I still use the same approach to my work: I get an idea, think of the title and then make the work. So not much has changed since 1964″
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